FMS Speaker Series: Giorgio Biancorosso

Giorgio Biancorosso’s work investigates the boundaries of music and sound in the theater, cinema and digital media. He is the author of Situated Listening: The Sound of Absorption in Classical Cinema (Oxford University Press, 2016) and Remixing Wong Kar Wai: Music, Bricolage, and the Aesthetics of Oblivion (Duke University Press, 2024). Biancorosso is the co-founder and editor of the journal SSS (Sound-Stage-Screen) and the coeditor, with Roberto Calabretto, of Scoring Italian Cinema: Patterns of Collaboration (Routledge, forthcoming). Currently a professor of music at The University of Hong Kong, Biancorosso is also active as a dramaturg and stage director. His staging of The Longest Days and the Shortest Days, a tech-cantata by Eugene Birman, was premiered at the Gulbenkian Auditorium (Lisbon) in 2022.

Registration not required, but recommended to receive event updates and reminders.

Co-sponsored by Tufts Film and Media Studies Program and Tufts Department of Music.