Scholars of religion and culture argue that films are worthy of study as contemporary religious texts and rituals, given how they function in social and personal life. Some point to patterns of film spectatorship and engagement that mirror traditional ritual behavior, both corporate and private. Some view films as modern “myths,” stories that inspire and challenge, creating opportunities for ethical and philosophical conversation and action. Other scholars study films as carriers of “theologies,” worldviews that convey ultimate or deep meaning, and thus reinforce, challenge or re-imagine traditional perspectives. Still others analyze the production and distribution of films to unveil the circulation of messages that reinforce prevailing norms, practices and institutions (whether religious or not) or pose challenges to them. In every case, these approaches are enriched by attention to fi lm as an art form and aspects of film theory. This course invites students to explore the rich terrain of fi lm through the variety of approaches employed by religious studies scholars. We will open up films to explore their messages about contemporary religions and religious issues, as well as to gain a broader and deeper understanding of “religion” itself. Genres will include drama, comedy, animation, horror and science fiction. This course counts toward the Humanities distribution requirement.